Sunflower Drawing

This drawing was done with soft conte and watercolour on terraskin paper. Soft charcoal on any very smooth surfaced drawing paper will give similar results. This is a fun way to work – any unwanted lines can often be wiped away. Shading is fast and easy by scribbling some lines and then smearing them (minute 1:43). If you feel in the end that some colour would enhance the drawing, watercolour or fluid acrylic can be placed on top. Do this with a light touch and a minimal of stirring to avoid over graying of the colour as it mixes with the charcoal. Check out my art courses! 

Blue Eyes

Burnt sienna plus white is the basic skin tone mix used in this portrait. To that I add varying amounts of permanent rose, a primary yellow, and touch of ultramarine blue. In a child’s portrait, I am careful not to use too much of the blue in order to keep that happy glow. Keeping edges and transitions soft also helps with a youthful feel. Can you feel the lovely gentle soul behind those blue eyes? Check out my art courses!   

Acrylic Paint Effects

The first part of the video shows the paint pouring happening in steps. In the last half of the video, I explain in more detail the process. Additional note: many of the gloss mediums when poured over top of a finished painting, make cracking a crazing effects as they dry. If you don’t mind the extra texture, this can be great. However, if you want a truly smooth shiny finish, it is better to put the final varnish on in layers with a brush. Be careful not to keep brushing it as it dries, or it may go cloudy. Check out my art courses!