Category: Newsletter

Such an enjoyable afternoon yesterday with the Brush and Palette Club doing art critiques for them! Thanks for inviting me. And now anyone can have me critique paintings too, by email. After you have clicked the “buy now” button in the right column of this page, and paid for the number of paintings you would like critiqued, you simply emal a photo of your painting(s). (You don’t need a Paypal account, just a credit card to do this.) I will respond by email with a detailed critique of your painting – both strengths and weaknesses. It’s a great way to grow your art.

Thanks to ArtProMotivate for the quote:

Happy to show you the latest landscape. It has collaged gemstones – tiger’s eye and quartze. Not yet for sale.

I can be pretty goal oriented at times. Some might call it self motivated. Others might call it driven. It […]

Wishing each one of you a warm and wonderful weekend. Hope you find some creative time! (Acrylic painting “Wind in […]

I am happy to have my painting “That’s What Lets The Light In” accepted for the Art from the Heart […]

As I work to grow my art, I am pondering what techniques really push the creativity button for me. One tip can be summarized in three small words: make a mess. Starting with a lot of mixed up or messy colour and then working with it gives me results that frequently turn out better than carefully planned painting. Especially when working with acrylic or oil, I can just keep layering to bring a mess into some sort of shape and form that is exciting and pleasing to the eye. Actually, now I’m thinking about it, I also like approaching watercolour this way, and if need be I can switch to layering with fluid acrylics later. It takes a bit of courage to do this, plus a certain amount of willingness to accept that the painting can look awful for quite awhile – you just keep layering until it works. Today’s creativity tip for you: make a mess!

I’ve been thinking about the concept of favourite colour. Certainly there have been periods when I reach for the same tube frequently. Blue was a favourite when I was first painting. Now a days it’s more about certain colour combinations rather than individual colours. Several paintings with a blue/yellow ochre combo happened in the last year. I’m excited to be concentrating on combinations, and am about to start a painting based on phthalo blue and orange mixes. That yellow ochre will likely be in there too. What about you? Any favourite combos these days? No fries with mine.

Today’s quote thanks to ArtProMotivate.