The Four Horses

This painting began without any subject in mind. You can watch how early the center horse appeared (Minute 0:43), and I didn’t see it for a long time! I reached a point where the background was left to dry (1:35) The planets and stars were formed by painting dark blue around them and leaving the colours of the pour showing in circles. This painting took over a week to complete – it’s deceiving to watch the video because it is small snapshots of the process. Can you find the fourth horse? Check out my art courses! 

Wilderness Dream

Watch this painting develop as the creatures arrive for the story that it has to tell. Beginning with a dry textured layer of gesso on the canvas, I poured colour and sprayed it a bit with water to make it flow. The pigments used were Golden Fluid Acrylics: Quinacridone Nickle Azo Gold, Cobalt Teal, Ultramarine Blue, and Burnt Sienna. After this had dried, I turned the canvas every direction looking for some interesting shapes. I saw the bear’s head near the lower center (minute 0:11) and the bird wing upper center. I proceeded to define these creatures, trying to preserve as much of the original background colour as I could. Adding the stream bed and trees gave context, and the fish completed the story. Check out my art courses! 

Midnight Sun

Using the same dried textured gesso and pouring colour techniques (see Acrylic Paint Effects video), I created a background. It spoke to me of a winter landscape with distant mountains. Notice how I used the same colours that I had poured to define the snow edges and hint at the mountains. Near the end, the sky felt too busy to me and so I smoothed it over, still leaving some of the original colour pour showing through in certain areas. A pre-coloured background can help ensure a good colour harmony in the final work, if you are careful to have lots of that colour showing through in the final painting. Check out my art courses!