Burnt sienna plus white is the basic skin tone mix used in this portrait. To that I add varying amounts of permanent rose, a primary yellow, and touch of ultramarine blue. In a child’s portrait, I am careful not to use too much of the blue in order to keep that happy glow. Keeping edges and transitions soft also helps with a youthful feel. Can you feel the lovely gentle soul behind those blue eyes? Check out my art courses!
The first part of the video shows the paint pouring happening in steps. In the last half of the video, I explain in more detail the process. Additional note: many of the gloss mediums when poured over top of a finished painting, make cracking a crazing effects as they dry. If you don’t mind the extra texture, this can be great. However, if you want a truly smooth shiny finish, it is better to put the final varnish on in layers with a brush. Be careful not to keep brushing it as it dries, or it may go cloudy. Check out my art courses!